| marta chilindron | |
|
click on title to view pdf file to read
on screen or print
|
|
| Adriana Herrera, La Casa de Eugenio Espinosa, El Nuevo Herald, Miami, Dec. 21 2003 ## | |
| Jose Roca, Psychogeometries, Arco 04 ## | |
| Richard Vine, Report from Rio de la Plata, Art in America October 2001 ## | |
|
Recent Writings on Latin American Art, New York Arts, Vol. 6 no. 10 ## |
|
| Robert C. Morgan, Marta Chilindron, Cinema Kinesis, Review, June 15 1999 | |
| Max Henry, Cinema Kinesis, Flash Art n.207, Summer 1999 | |
| Richard Vine, Contemporanea 1999, El Museo del Barrio Exhibition publication ## | |
|
Robert Morgan, Four Artists-Constructivists Roots, Review, June 15 1998 |
|
| Jonathan Goodman, Marta Chilindron at Cecilia de Torres, Art in America, September 1997 | |
| Monica Amor, Marta Chilindron, Art Nexus n.25, July-September 1997 | |
| Ana Tiscornia, Perverting Male Discourse, Lola Press, May-October 1997 | |
|
Kare S. Chambers, Marta Chilindron, Dimensions, Review, April 15 1997 |
|
| Max Henry, Marta Chilindron: Dimensions, Zingmagazine 1997 | |
|
Ana Tiscornia, Perverting the Specific Object, Atlantica, no.15 winter 1996 - english trad. |
|
| Gilberto de Abreu, Obra de are tambem e gente, O Globo, Rio de Janeiro 1994 ## | |
|
Monica Riani, Chamando o publico as falas, Tribuna de Impresa, Rio de Janeiro, 12 april 1994 |
|
| Monica Amor, Contemporary Art of Argentina, Brazil & Colombia, Art Nexus,1993 ## | |
|
Marta Chilindron & Eduardo Costa, Mouthpiece, Point of Contact, Univ. of Syracuse ## |
|
| Michael Berenson, Works for Urban College Raise Hard Questions, NYTimes, April 8, 1988 ## | |
| back |